I’m loud, darling, but never cheap

The IRA thriller-comedy-romance is a seldom represented genre in film. It feels at times like The Crying Game is actually two separate movies in one: a sort-of comedy romance bookended by a highly charged thriller about terrorism, which makes for an odd mix. It reminded me a bit of the ending to A.I., where suddenlyContinue reading “I’m loud, darling, but never cheap”