A very, very belated International Woman’s Day influenced podcast. Lewis and Ian watch the 1980 screwball classic Nine to Five.
Recorded on Oscar night, we give our wildly diverging opinions on the hotly tipped Richard Linklater film Boyhood, as well as offering our own, mostly wrong, Oscar predictions.
Its the 101 Films 2015 New Year Special! Here we discuss the releases of 2014, what we thought of them (of the three or four we actually saw) and look ahead at what 2015 has in store for us…
This week we look at the 1980s classic Wall Street, a movie that, brilliantly, features a cocktail-serving robot, not to mention the first depiction of a mobile phone in a Hollywood film. It also features that guy from Hotshots and that bloke from Behind the Candelabra.
This week we have another slightly crackly Skype podcast in which we discuss reader recommendation The Warriors and get all carried away with making up gang costumes.
In a belated Halloween podcast, we review the classic Hammer film Quatermass and the Pit. Apologies for the poor sound quality, this is our first attempt to record over Skype!
Originally posted on maxrennblog:
When I decided to resurrect this series of blogs which I began (and lazily failed to maintain) for http://www.chrisandphilpresent.co.uk/ I didn’t want to set up too many rules. I didn’t want to just feature obscure performers (partly because there are other more knowledgeable film bloggers and writers out there to shine a light into those darker corners). I didn’t just want to talk about character actors as I wanted to give respect to film stars as well where I felt there skills and qualities were taken for granted. I also didn’t want to do the thing that most list articles end up doing, which is to narrow the field down to a collection of the same old fan favourites. It is too early to tell if I will succeed in this, after all this in only the second entry (technically third, but I’ll run a revised version of my Keanu-nu-nu-love…
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To tie in with the World Cup, sort of, we review the brilliant Brazil. After being disappointed by The Fisher King and Twelve Monkeys, Ian finally gets why Terry Gilliam is held in such high regard.
After reading Stuart Barr’s review of the bonkers 1985 film Lifeforce, a movie with the twin appeals of space vampires and a Patrick Stewart cameo, I decided I had to sample its lunacy for myself. And seeing as Lifeforce is directed by Tobe Hooper, it seemed like a good opportunity to do a movie marathon dedicated to the horror impresario’s back catalogue.
We don’t often cover horror films at 101 Films. Neither Ian nor I are particular fans of the genre, although we both went through a phase of watching horror flicks while at university. Ian maintains that as teenagers we were immune to the horror of watching endless murders owing to belief in our own immortality, but now as rapidly decaying thirtysomethings, the sight of needless killing uncomfortably reminds us of our own fleeting time on Earth. Don’t be fooled by Ian’s braying laughter, the rivers run deep in that one.
For our rare foray into horror, I assembled three of Tobe Hooper’s most famous movies: his impressive 1974 debut, The Texas Chainsaw Massacre; the mega-hit of 1982, Poltergeist; and the mega-flop Lifeforce, which was bankrolled by Cannon Films (remember them?) to the tune of $25 million, but made barely half that at the box office.
It proved surprisingly hard to track down the original Texas Chainsaw Massacre: I easily found the recent remakes, the sequel, the prequel and various documentaries and spin offs, but the 1974 film was hard to come by. A shame really, as it’s a great film, and probably Tobe Hooper’s best movie. Having said that, we were reluctant to watch it again after both seeing it in our uni days – the meat hook scene in particular lingers long in the memory. Having sufficiently girded our loins to put on the DVD, we found the film as brilliant as on first viewing, and as shocking too – time certainly hasn’t dulled its power. Something that can’t be said of Poltergeist.
Ian hadn’t seen Poltergeist before, and he left the film more puzzled than scared. After expecting horror on a par with Texas Chainsaw, he was confused to find a film that was torn between shocks and saccharine suburbia – a legacy of Steven Spielberg’s hand in the movie. The film really is odd, and I’m still not entirely sure what audience it’s aimed at – it seems too tame for horror but too horrific for the mainstream. And it’s ludicrously overblown too, with non-stop cheesy special effects from the beginning – Texas Chainsaw appears subtle by comparison.
I actually found I preferred Lifeforce to Poltergeist. Stuart called the film “a deliriously entertaining bad movie”, which prompted a conversation about whether a film can be so bad it’s good. Well, yes, I reckon, if this movie is anything to go by. It’s nonsensical, and the acting is appalling in places, but its leering insanity and improbability is downright entertaining. We declared it a new Zardoz, which, as you’ll know if you’ve been following our podcast odyssey from the beginning, is high praise indeed.
If our movie marathon has piqued your interest in these films, you can buy The Texas Chain Saw Massacre, Poltergeist and Lifeforce on Blu-ray from Amazon by clicking on the links (and we get a little bit of cash if you do – thanks in advance).
Anyway, without further ado, let us present our feature presentation:
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The Texas Chainsaw Massacre – Director: Tobe Hooper Year of release: 1974 Studio/Distributor: Vortex Country: USA
Poltergeist – Director: Tobe Hooper Year of release: 1982 Studio/Distributor: MGM Country: USA
Lifeforce – Director: Tobe Hooper Year of release: 1985 Studio/Distributor: Cannon Films Country: UK/USA
In our second movie marathon, we take a rare excursion into horror territory with a look back at some choice films from Tobe Hooper’s career. We begin with the chilling but brilliant Texas Chainsaw Massacre, followed by the odd but extremely successful Poltergeist, and end with the bonkers but charming flop that is Lifeforce.